Ever since I had my first child, my stomach has always felt like it doesn’t belong on my body anymore. The stretch marks are uneven and lumpy in some areas, and my skin sags with a strange elasticity that feels foreign.
That trauma is reflected in the physicality of my drawing process: pulling out uneven, fleshy highlights from the burned surface of soot, scratching aggressively with knives and scrapers which cuts up the surface of the wood. See my process here.










